My start-up: Cursor

A couple of weeks ago I wrote an editorial for Publishing Perspectives and got a rather dynamic response, including small group of commenters who were particularly exercised that I had not offered guidance on how to move forward.

In this week’s Publishers Weekly cover story, I offer exactly that guidance, although I couldn’t help but include some anecdote and sundry color. The article describes what I want to do, why I want to do it, and how I came to it. It’s not yet the perfect business model for the writing-and-reading community but it is I believe the right place to start, and critically it is designed to have powerful feedback loops, so whatever we’ll get wrong, we’ll be able to fix.

If you’d like to be a part of it, let me know. Here’s an excerpt from the Publishers Weekly piece.

Cursor…represents a new, “social” approach to publishing. To call [it] “niche” or another “independent” publishing enterprise would be a poor approximation, because those terms fail to capture the organic gurgle of culture at the heart of the venture, the exchange of insight and opinion, the flow of memes and the creation of culture in real time that is now enabled by the Internet.

My business plan is now out with investors””I will spare you the P&L numbers and just offer the broad strokes. Cursor will establish a portfolio of self-reinforcing online membership communities. To start, this includes Red Lemonade, a pop-lit-alt-cult operation, and charmQuark, a sci-fi/fantasy community.

The business will focus on developing the value of the reading and writing ecosystem, including the growth of markets for established authors, as well as engaging readers and supporting emerging writers. Each community will have a publishing imprint, which will make money from authors’ books, sold as digital downloads, conventional print and limited artisanal editions””and will offer authors all the benefits of a digital platform: faster time to market, faster accounting cycles, faster payments to authors. But the greatest opportunity is in the community itself. Each will have tiers of membership, including paid memberships that will offer exclusive access to tools and services, such as rich text editors for members to upload their own writing, peer-to-peer writing groups, recommendation engines, access to established authors online and in person, and editorial or marketing assistance. Members can get both peer-based feedback and professional feedback.

Other revenue opportunities include the provision of electronic distribution services to other publishers; fee-based or revenue-share software modules, especially for online writing workshops or seminars for publishers, literary journals, teaching programs; fee-based linking of writers to suppliers of publishing services, including traditional publishers and agents; corporate sponsorships and site advertising; and events and speaking fees. Yes, I envisage Cursor obtaining a larger basket of rights than is the industry standard, but that will be in exchange for shorter exclusive licensing periods. Our contracts will be limited to three-year terms with an option to renew.

The Cursor business model seeks to unite all the various existing revenues in the writing-reading ecosystem, from offering services to aspiring writers far more cheaply than most vendors to finding more ways to get more money to authors faster. It also will create highly sensitive feedback loops that will tell each community’s staff what tools and features users want, what books users think the imprint should be publishing, how the imprint could publish better.

Cursor is not designed to “save publishing,” but simply to offer the kind of services that readers and writers, established and emerging, want and the Internet enables. I believe especially strongly that the model must be viable in a world where the effective price of digital content falls to zero, and paper becomes like vinyl records or fine art prints. After all, the world is littered with things that people won’t buy at the prices their producers want to charge””like, say, the contents of remainder bins.

If recent experience is any guide, there is little reason for me to think that people, given so many other options for their leisure time, especially in the wired world, will continue to give up hours and dollars for the sake of our industry, any more than they will for big cars or daily newspapers. We are going to have to find new ways to earn those hours and dollars, and at the prices our readers””and writers””set.

I believe Cursor’s communities are a new way forward.



Eoin responds to Richard Eoin who reciprocates, gratefully…

So the excellent Irish publisher Eoin Purcell reviews my Publishing Perspectives editorial and provides a nice exegesis.

He is concerned about a few dimensions of it, and I thought it would make sense to respond to this, as I think that the problems he perceives lie in my poor expression of the ideas, rather than the not-poor ideas themselves.

HIs chiefest concern has to do with what he’s coined “Publishing as a Service (PaS)”–“the idea that if publishers want to survive they should adapt to become facilitators of the people who are creating and consuming content.” He contrasts this notion with one recently elaborated by Mike Shatzkin who believes “the focus should be on curating those niches and in re-engineering a publishing portfolio around a vertical segment.” He advocates that a new publishing enterprise not choose only one of those options, especially not the first only, lest “they have become software engineers.”

in large part his concern is that publishers not reinvent the wheel–“I don’t think that most publishers should spend their time creating design software or better printing presses, leave that to the odd genius who happens to also be a publisher or the software programmer.” I absolutely agree. I can’t specifically speak for Andrew Savikas (who outlines his most current thinking here in a excellent essay, Content is a Service Business) but I know that I have no intention of building anything from scratch. My understanding of Publishing as a Service Business is to distinguish it from one that sells a product in a supply chain, a peddler of tchotchkes. It does not exclude the notion that we would create physical objects, preferably gorgeous, expensive, high margin ones that are never returned and that the purchaser passes onto the next generation, it rather advocates for a mentality, a philosophy, a corporate culture, that is a service, rather than manfacturing-and-distribution one. Much in the way that Zappos is a service business.

Indeed, I concur still further with Eoin in that, as he writes, “far better for us to spend time curating and filtering content, because filtering is what the web needs.” Even more so when he argues that “that doesn’t necessarily mean gate-keeping [for] we may be facilitating the filtering-by-readers within a community, rather than choosing what floats.” Nicely put, sir!

He again warns, don’t reinvent the wheel, and I again concur. I do use (in fact in the “About” page of my blog) the admonition “Now is time to build their infrastructure” but I mean it more metaphorically. I don’t mean invent the infrastructure–I simply mean let’s take all the existing tools out there and start to put them together in the appropriate configurations. This will involve levels of customization, tweaking, both of the software itself and of the user interfaces, and of any number of business processes. And that’s the process I wish to embark on, as soon as possible. I’m not going to invent a new kind of brick, but it is time to figure out the architecture of the right kind of niche publishing houses. Indeed, my goal is to create a small portfolio of houses, in order to see how much is similar, how much is different, what the user preferences are with writers, and readers, and reader-writers in different areas and styles of story-telling.



Diagram of a Panel

Another take on what Russ Marshalek, Ami Greko, Ryan Chapman and myself had to say at the Twitter conference…

140 Characters Conference @russmarshallak @r_nash @ami_with_an_i @chapmanchapman on book publishing


Man Bites Dog, and Publishing saves Twitter

In the spirit of keeping things a little livelier on this blog, as my alleged essay-writing evolves, I’m following up on yesterday’s posting of the BEA video with a posting of this morning’s conversation with GalleyCat’s Jason Boog, and AgencySpy’s editor Matt Van Hoven. I could enumerate the topics we covered, but everything really just comes down to price. Pricing, I suspect, is a proxy, or a vehicle we use to be able to have at least the semblance of a conversation about what we need to be doing…

Listen to internet radio with mediabistroXcom on Blog Talk Radio


Like Tom Cruise in Magnolia, or, Twitter will not save Publishing

One of my two speeches at Book Expo America, characterized by one Twitterer as being like Tom Cruise in Magnolia. (Compliment? Not sure…) My most quoted sentence, at least on Twitter, from this seven minutes is “Twitter will not save publishing.”

http://blip.tv/play/AYGNwTaYgwE

And, yes, believe me, I know there should be essays galore here, they really are coming, I’ve had all kinds of other writing projects going on with more vigorous deadlines. But that’s what RSS feeds are for, right, laggards like me?



A Proxy for a Future Blog Post + Book Expo America Schedule

I’m so very mindful of how remiss I’ve been in blogging–I’m generating lots of material that will wend its way onto this site over the month of June. Basically, for little spasms of thought, see my Twitter feed. And for what will functionally be essays, for the most part, see here, as frequently as I can bang them out.

The delay inheres in my efforts to try to figure out an entire cosmology for an economic ecosystem for writer-reader interactions–the chiefest complexity being that readers write/writers read. I can’t pretend that what I start posting next month will be the answer, or even an answer, but I want it to have some level of internal coherence.

Moreover, because I’ve two presentations at Book Expo America at the end of the week, I’ve focused this month of May on figuring out how to squeeze this research into a one-hour presentation, and a seven minute presentation (both replete with PowerPoint slides, a first for me, and the former in cahoots with my research partner, Dedi Felman…) So, for those of you attending (and I do urge you to go to BEA if you’re in this business–the trade show is the analog analogue, as it were, to the gorgeous social media network on which we’re all wee little nodes, and its anticipated demise is partly the result of our industry’s own benightedness about whom we should be reaching and how…), here’s my two dog & ponies…

The Concierge and the Bouncer: The End of the Supply Chain and the Beginning of the True Book Culture
2:30PM – 3:30PM (Thursday, May 28, 2009)
Knowing what we now know, about media and content in the digital networked age, and recognizing we may not yet know that much, let”s now ask ourselves: what might the ideal publishing company look like? Had we it to do over again, how would we build a system for connecting writers and readers? Richard Nash gave up his job in order to start to answer those questions and here offers his thoughts so far…
Panelist: Dedi Felman – (formerly) Sr. Editor, Simon & Schuster
Presenter: Richard Nash – (formerly) Publisher, Soft Skull Press

7x20x21 at BEA
Publishing’s most innovate thinkers talk about what inspires them
4:30PM – 5:45PM (Friday, May 29, 2009)
Join us for a most unusual panel: 7 speakers * Each with 7 minutes to talk about anything they like * Accompanied by 20 PowerPoint slides * That move forward automatically every 21 seconds * A unique event designed to inspire conversation, creativity, and passion for the future of publishing. It was born in the UK, where the most recent event at the London Book Fair was presented to a standing-room-only crowd.

Debbie Stier, Harper Studio; Pablo Defendini, Tor.com; Jeff Yamaguchi, Doubleday/Knopf; Matt Supko, ABA/Indiebound; Chris Jackson, Spiegel and Grau; Richard Nash, ex-Soft Skull; Lauren Cerand, independent public relations representative

And for y’all who can’t go, I will post as much stuff as the organizers happen to record, as well as the sequence of essays I’m writing for this blog that underlie these presentations…